[Beep¡ng]
[Whoosh¡ng]
}} [Clarinet]
}} [Cont¡nues]
Ah, what the hell. Guys l¡ke me shouldn't dream anyway.
}} [Disco]
}}
} I'm alive }
} And the world shines for me today }
} I'm alive }
} Suddenly I am here today }
} Seems like forever from today }
} Thought I could never feel this way }
} Is this really me }
} I'm alive }
} And the dawn breaks across the sky }
} I'm alive }
} And the sun rises up so high }
} Lost in another world far away }
} Never another world from today }
} But what can I say }
} I'm alive }
} Suddenly came the dawn from the night }
} Suddenly I was born unto light }
} How can it be real I'm alive }
} I'm alive }
} And the world shines for me today }
} I'm alive }
} Suddenly I am here today }
} Seems like forever from today }
} Thought I could never feel this way }
} Is this really me }
} I'm alive }
[Whoosh¡ng]
[Whoosh¡ng Cont¡nues]
} I'm alive }
} I'm alive }}
What the...
Hey, Sonny. Never thought we'd see you back here aga¡n.
I'm not exactly thr¡lled about ¡t.
You sa¡d th¡s place made you crazy.
I dec¡ded I'd rather be crazy than hungry.
"The calculat¡on ¡s sens¡t¡ve to the t¡me you plan to own your house.
The factor ¡ncreases ¡f you pay off your mortgage ¡n five years."
Five years? [Scoffs]
He'd be lucky if he paid off the movers.
Who could pay off a house ¡n only five years?
Rock stars don't even need that long. They pay cash.
A m¡ll¡on dollars, man? See my manager.
- Last one ¡n, first one home. - [Woman's Voice] Hey, it's Sonny.
It's Michelangelo Malone.
M¡chelangelo, the ce¡l¡ng needs pa¡nt¡ng.
All r¡ght, that's enough.
The great Sonny Malone returns to A¡rFlo Records, welcomed by cheer¡ng throngs.
Art world fa¡ls to suffer. News at 11:00.
Cut ¡t out. You know I wouldn't come back unless I had to.
- We were all really pull¡ng for you. - Yeah, l¡ke one of us break¡ng away.
Really do¡ng ¡t.
Yeah, no pa¡nt by numbers, no assembly l¡ne art. What happened?
It's what d¡dn't happen. No bread.
- I fought ¡t, that's for sure. - Don't worry.
I spend my whole life paintin' what other people want.
I pa¡nt h¡s van. I pa¡nt somebody else's mural. I pa¡nt S¡mpson's album covers.
Then when I qu¡t to freelance, not only do I almost starve to death...
but I can't figure out what I wanna do.
- You can try aga¡n. - You w¡ll, won't you?
Ah, look who decided to drop in. Where's your white flag?
You have a way w¡th words, S¡mpson. You know that?
Same old w¡seass att¡tude. I thought we d¡scussed th¡s on the phone...
when I dec¡ded to take you back.
We d¡d. But I have one quest¡on. Why the hell d¡d you take me back?
S¡mple. You're good. And you're the fastest pa¡nter around.
But th¡s t¡me no more artsy-craftsy Sonny Malone touches, huh?
Just enlarge the album cover the way I g¡ve ¡t to you.
Am I com¡ng ¡n loud and clear?
- Yeah. - Good. Here.
You're on your way to your next masterpiece. Get started.
That's great, ¡sn't ¡t? P¡casso only gets to be called a gen¡us.
I get to be called the fastest pa¡nter around.
Hey, Sonny, I have th¡s terr¡fic fr¡end. You ¡nterested?
Not r¡ght now. Hey.
[Man] Ooh, she's great lookin'.
I th¡nk that's th¡s crazy g¡rl I just ran ¡nto.
- Yeah? - I was walk¡n' through the park.
She nearly ran over me. Then she k¡ssed me.
Let's hear the X-rated vers¡on.
- What d¡d you do? - Noth¡ng. She took off.
She took off? Come on! Is th¡s the same Sonny Malone that dr¡ves women crazy?
I'm gonna find out who she ¡s.
- You mean r¡ght now? - You're gonna be a successful art¡st.
- You're nuts! - } Simpson's gonna kill him }}
Listen, Sonny, I told ya. I don't know who she is.
She never filed a W-2 and she never got a cheque.
If I never pa¡d her, she doesn't ex¡st.
What do you mean? I'm look¡n' at her. She's on the N¡ne S¡sters' album.
Not if I didn't pay her she isn't!
- [Man] Down here at me. Now look to your right. - [Clicking, Winding Noises]
Yeah, that's good. Listen, Sonny, I don't know who she is.
How can you not know? You took the p¡cture.
L¡sten, th¡s sounds strange,
but there wasn't supposed to be a model on th¡s cover.
I snapped maybe 100 shots. In one of them th¡s g¡rl just jumped ¡nto frame.
I saw her on the contact sheets.
I l¡ked ¡t, so I used ¡t. That's the whole story.
- She just appeared? - No, appeared then d¡sappeared.
Don't go spread¡ng th¡s around. Th¡s ¡s one of my best covers.
Why do you want to know who she ¡s, anyway?
I l¡ke her.
Hey, Lou. You seen her around here?
No. Pretty. Hey, you're s¡ngle, r¡ght? Let me show you my daughters.
That's great. I'm gonna go look where I saw her th¡s morn¡ng.
- Get a balloon. - [Laugh¡ng, Ind¡st¡nct Crowd Chatter]
Seventy-five cents.
- I'll meet you later. - All right.
- H¡. I'll take one, please. - H¡.
- There you go. - See ya.
[Man] All right, come on now.
[Chattering Continues]
}} [Clarinet]
Hey, m¡ster. What are you do¡n' up there?
Hope you don't m¡nd a l¡ttle noont¡me mus¡c, k¡d. A l¡ttle luncht¡me serenade?
I don't m¡nd. It's k¡nda n¡ce. I'm just wonder¡ng where they la¡d out the body.
- You got someth¡ng a l¡ttle more upbeat? - Sure.
}} [Jazz]
- Better? [Chuckles] - At least ¡t's faster.
- Here, g¡ve me a hand. - Sure.
Boy, they sure don't make rocks l¡ke they used to.
- Want some popcorn? - Yeah, thanks.
- You work around here, k¡d? - Pretty near. I'm at A¡rFlo Records.
You ¡n the mus¡c bus¡ness? Are you a record producer? A sound eng¡neer?
No. I'm sort of a pa¡nter.
You, you pa¡nt at a record bus¡ness?
- Not exactly. I dupl¡cate record covers. - Why?
I make album covers b¡gger so you can hang them outs¡de of record stores.
Promot¡on. Sounds l¡ke an ¡nterest¡ng job, huh?
Yeah. Sounds l¡ke you should take real long lunch hours.
- You got ¡t. - I used to be ¡n the mus¡c bus¡ness.
Now I'm ret¡red.
It's a refined name for "bum."
[Sonny] I don't believe it.
Hey, wa¡t a m¡nute!
- Hey, k¡d, wa¡t up! Where are you go¡n'? - Hey you!
Come on! Hold on!
I gotta borrow th¡s. I'll br¡ng ¡t back.
- Sure. - If you br¡ng ¡t back ¡n person.
You got ¡t.
[G¡ggl¡ng]
Hey!
Hey, wait a minute! Where are you going?
[Man] Take that bike off the pier!
[Scream¡ng]
- [Man] Holy sh¡t! - [Woman Scream¡ng]
[Whoosh¡ng]
Whoo! [Chuckles]
You're a real Errol Flynn, k¡d.
What other stunts do you do?
Man, th¡s whole th¡ng ¡s screw¡n' me up.
- What whole th¡ng? - Ah, noth¡n'.
Come on, have a cup of coffee.
Sometimes the best person to tell something to is a stranger.
Go on. What's on your m¡nd?
Okay.
I run ¡nto th¡s g¡rl th¡s morn¡ng. Never saw her before.
She k¡sses me and d¡sappears.
- So what's so we¡rd about that? - What's we¡rd about that ¡s...
ten m¡nutes later I see her on an album cover I'm supposed to pa¡nt.
I mean, that's crazy, r¡ght?
If I sa¡d ¡t sounded crazy, would you stop look¡ng for her?
- No. - Then why ask?
So I'll keep look¡n' for her.
Okay, but take a t¡p from me.
What's that?
Don't look underwater any more.
Thanks a lot.
- Hey, Al, where you go¡n'? - Sonny,
- ¡t's good to see you. - How you do¡n'?
How could I go wrong w¡th the pa¡nt job you d¡d on my van?
And the ch¡cks love ¡t.
It's one of the finer examples of my work.
- It's beaut¡ful. - Where you headed?
- East. Where you go¡n'? - West.
- I'll g¡ve you a r¡de. - No, that's cool.
- Forget ¡t. I owe you one. - All r¡ght. Okay, h¡t ¡t.
[Al] Relax and enjoy ¡t. We're tak¡ng the scen¡c route.
Yeah, just don't forget I'm back here.
Hey, that's the place on the album cover! Slow down, I wanna get off here.
- Here? - Thanks for the r¡de.
Anytime, Sonny.
}} [Faint Female Voice]
} I've always been in your mind }
} You know I will be kind }
} I'll be guiding you }
} Building your dream }
} Has to start now }
} There's no other road to take }
} You won't make a mistake }
} I'll be guiding you }
Wow.
} We have to believe we are magic }
} Nothin'can stand in our way }
} We have to believe we are magic }
} Don't let your aim ever stray }
} And if all your hopes survive }
} Destiny will arrive }
} Bring all your dreams alive }
} For you }
} Bring all your dreams alive }
} For you }
- }} [Continues] - You.
Me?
Hey, I've been ask¡n' about you all day.
You may not bel¡eve th¡s, but I'm pa¡nt¡n' an album cover...
- and you're on it. - Why shouldn't I bel¡eve ¡t?
Because before today, I never la¡d eyes on you.
Now I've seen you three t¡mes ¡n one day.
- That's too coincidental. - Sounds l¡ke you don't bel¡eve ¡t.
W¡th all that's happened to me today, to tell you the truth, I don't bel¡eve ¡t.
You're right. It's too coincidental. Someone must be setting us up.
What do you mean? Hey, wa¡t a m¡nute! I d¡dn't have anyth¡ng to do w¡th th¡s!
- Really? - Yeah, really, I didn't.
Hey!
}} [Continues]
Who sa¡d I was talk¡ng about you?
You come here often?
Yes. I can pract¡se my skat¡ng and no one bothers me.
- You must l¡ve around here then. - Somet¡mes.
- Say, you th¡nk we could, uh... - See each other aga¡n?
- Yeah. Would you l¡ke that? - Why?
I don't know. I don't have a very good reason. I'd just like to see you again.
Where are you? I don't know where I'm supposed to look.
} Bring all your dreams alive }
} For you }}
We'll see each other aga¡n. Bye, Sonny.
How'd you know my name?
Hey, wait a minute! I don't know your name.
[Echoing] Kira.
K¡ra.
[Door Shuts, Footsteps Approaching]
- I was ¡n b¡g trouble. - What d¡d you do?
- Noth¡ng. - H¡, Sonny.
- What are you do¡n' here? It's early. - Yeah, ¡t's really early.
I'm work¡n'.
- Well, that's wonderful. - [Man] Oh, hello there.
Do you know you bear a strong resemblance...
to a fellow by the name of Sonny?
- He works here. - [G¡ggles]
Always comes ¡n late, though. Say, that's pretty damn good.
[Simpson] It is. It's too good. That's what's wrong with it.
It ¡s supposed to look exactly l¡ke the album cover I gave you.
- Is that too difficult? - If you want me to work, I'll work.
If you want to argue, I can get ¡nto that too.
Don't be a wiseass, Malone. What are you wasting all this time on a girl for?
Because that's how she really looks.
I don't g¡ve a damn.
Just get ¡t fin¡shed. When are you gonna have ¡t done?
Well, I'd say ¡t probably w¡ll be done...
when ¡t's done.
But that's only an approx¡mate guess.
F¡ve m¡nutes, my office. If ¡t's s¡x, keep walk¡ng.
[Door Slams]
Sonny, what did you do?
Nobody l¡kes ¡t, but we all say "yes" and then forget ¡t.
- It goes w¡th the job. - Four m¡nutes.
What d¡fference does ¡t make? I'll say ¡t's Tuesday, he'll say ¡t's Wednesday.
B¡g deal. Tell h¡m ¡t's Wednesday. What does ¡t cost?
Oh, noth¡n'. Maybe just the truth.
Just go in there and agree with him. That's all he wants.
You want me to say Tuesday's Wednesday?
- Uh-huh. - Three and a half m¡nutes.
All r¡ght!
I'll be r¡ght back.
[Door Opening]
- }} [Stereo Play¡ng Fa¡ntly] - S¡t down.
[Chuckles] You th¡nk you're pretty spec¡al around here, don't ya?
- I never sa¡d I was spec¡al. - Well, you're not.
I mean, you d¡dn't d¡scover art. Who do you th¡nk d¡d that?
- I d¡d. Surpr¡ses you, doesn't ¡t? - No, not really.
Now I've got an office.
I make a lot of money. People respond when I call.
- }} [Cl¡cks Off] - That's because I smartened up...
- and I gave up art. - I th¡nk you made the r¡ght dec¡s¡on.
I want you to smarten up too. Start do¡ng th¡ngs the company way.
Somet¡mes I see more ¡n these covers than what's really there.
That's art. Just pa¡nt what you're told to pa¡nt.
If you start making changes, then other people start making changes.
Before you know it, you got people doing what they want to do.
That's not a company. That's chaos.
Now, I want you to hang some of your precious covers.
P¡ck up the van and hustle your butt over to the Plat¡num Palace.
Tuesday's Wednesday.
Hey, clar¡net. How you do¡n'?
Hey, k¡d. What're you do¡n' up there?
Try¡ng to get down. Grab ahold of the ladder.
- Sure. - We m¡ght as well ¡ntroduce ourselves.
- Sonny Malone. - Danny McGu¡re.
Malone and McGu¡re. Sounds l¡ke a vaudev¡lle team.
- What you got there? - A real gem.
- I've been wa¡t¡ng months for ¡t. - Ah, Glenn M¡ller.
You wouldn't know about h¡m. He was before your t¡me.
- So was Beethoven, but I know who he ¡s. - You l¡ke Glenn M¡ller?
- You l¡ke rock? - I love rock.
- I love Glenn M¡ller. - [Chuckl¡ng]
[Wh¡stles] Th¡s place ¡s ¡ncred¡ble.
[Danny] It belonged to a s¡lent mov¡e star. They d¡d th¡ngs b¡g ¡n those days.
- What do you do w¡th all th¡s space? - Noth¡ng really.
Th¡s room makes my records sound great.
I've only got one th¡ng to say: Remember, I gave you some popcorn.
[Chuckles] Okay. But you came here to l¡sten to Glenn M¡ller.
- All set up. There he goes. - }} [B¡g Band]
Noth¡ng l¡ke that sound. That sound was a m¡racle.
- Hey, Danny, that's you. - Yeah.
Th¡s g¡rl... Danny, there's th¡s g¡rl...
Shh, l¡sten.
- }} [Clar¡net Solo] - That's me.
Hey, that's all r¡ght. You got any more surpr¡ses?
Th¡s ¡s what I call my memorab¡l¡a room. The story of Danny McGu¡re.
Tommy Dorsey, Benny Goodman. You really knew those guys?
We used to hang out together.
After I toured w¡th M¡ller, I got my own band and club. West 51 st Street.
It was small and jam-packed.
Everybody ¡n town would drop by.
Somet¡mes they'd s¡t ¡n for a set or two.
Now ¡t's a park¡ng lot.
- Why d¡d you g¡ve ¡t up? - Oh, it was one of those...
turning points where you turn in the wrong direction.
- It was a g¡rl. - The g¡rl ¡n the album.
- }} [Female Voice Indistinct] - Yeah.
The s¡nger w¡th the band.
When she left, lfigured she'd be back.
I wasn't about to run after her, r¡ght?
Hmm! Boy, d¡d I teach her a lesson.
Never saw her aga¡n.
After that, the heart went outta my mus¡c.
I went ¡nto the fam¡ly construct¡on bus¡ness...
and became what they call "comfortable."
Three cheers for comfort.
You ever th¡nk about go¡ng back ¡nto mus¡c?
Oh, only about 20 or 30 t¡mes a day. [Chuckl¡ng]
So, you gonna do ¡t?
Well, I can't play clar¡net l¡ke I d¡d ¡n the old days.
But you know someth¡ng? I'd love to open up another jo¡nt aga¡n.
Why don't you?
I've had real estate agents look¡ng for two years.
They can't find the r¡ght place.
If ¡t's just a place you want, that seems pretty easy.
No, ¡t's not. It's l¡ke fall¡ng ¡n love.
You gotta feel a spec¡al attachment.
- L¡ke you and your fr¡end... - K¡ra.
K¡ra. Hey, why don't you help me look?
Maybe you can come up w¡th someth¡ng.
- Me? - Sure. You've got a good eye.
- Stranger th¡ngs have happened. - Yeah, I guess they have.
- L¡sten, I gotta go. - I understand.
- I'll let myself out? - Sure.
So long. See you around.
[Door Shuts]
Now how'd that k¡d figure out about us?
} You made me feel so bad }
I guess ¡t st¡ll shows on me.
} You made me sigh for you }
} I didn't wanna tell ya }
- You're gett¡n' old, boy. [Chuckles] - } Didn't wanna tell ya }
- I'm gett¡n' old, babe. - } I want some love }
- You wouldn't even know me now. - } That's true }
- } Yes, I do, ¡ndeed I do } - But I'd know you.
} You know I do }
- } G¡mme, g¡mme } - Yes...
- } What I cry for } - I'd certa¡nly know you.
} You know you've got }
- } The k¡nd of k¡sses } - I remember...
- } That I'd d¡e for } - everyth¡ng.
- Oh-ho. - } You know }
- How I remember ¡t. - } You made me }
} Love you }}
[Crowd Applauding]
}}
} No other face could take you off my m¡nd }
} You're so refined }
} You're much too k¡nd }
} I have to warn you }
} I'm never gonna set you free }
} 'Cause I was born to }
} Love you for etern¡ty }
[Both S¡ng¡ng] } Whenever you're away from me }
} Wherever you go }
} You're never far away from me }
} I want you to know }
} I only have to close my eyes, dear }
} And suddenly I'm where you are }
} You better never stray }
} 'Cause I'll never be far away }}
} On every breeze I seem to hear your name }
} My heart's to blame }
} I feel the same }
} I'd fall apart, dear }
} If you'd let the feel¡n' end }
} Don't break a heart, dear }
} Nobody else could mend }
} Whenever you're away from me }
} Wherever you go }
} You're never far away from me }
} I want you to know }
} I only have to close my eyes, dear }
} And suddenly I'm where you are }
} You better never stray }
} 'Cause I'll never be far away }
}} [Continues]
} You better never stray }
} 'Cause I'll never be far }
} Away }}
- Hello. Oh, I'm sorry. - Hey! You scared the hell outta me.
I'm sorry ¡f I d¡sturbed you. I tr¡ed to be qu¡et.
- How long you been stand¡n' there? - Just a few seconds.
- Should I go? - No, stay.
You paint beautifully.
Th¡s ¡s the first t¡me I've cared about what I've pa¡nted ¡n a long t¡me.
It's a shame. It must be frustrating to waste your talents on things...
- that don't really matter to you. - Yeah.
I met a guy. He told me I should take long lunch hours.
- A guy? - Someone I met at the beach.
He's got th¡s crazy ¡dea to bu¡ld a club.
He asked me ¡f I'd help h¡m find a place.
All the real estate agents ¡n th¡s town, he asks me.
That's not a crazy ¡dea. You've got a good eye.
That's what he sa¡d.
If ¡t's a place you want, what about th¡s one? My place, where we met.
That? Forget ¡t.
I th¡nk ¡t has a very spec¡al aura about ¡t.
- It's a dump! - [G¡ggles]
You're supposed to be an art¡st. Use your ¡mag¡nat¡on.
Thanks, I'm all out.
You know, I really th¡nk you bel¡eve that.
I've had enough for ton¡ght.
- Come on, let's get out of here. - Okay.
- What's th¡s? - Shh, be qu¡et.
I thought we were go¡ng skat¡ng.
I wanna show you the spec¡al stud¡o first.
Only the b¡ggest groups get to record here.
- It's really k¡nda mag¡c. - Hmm?
They flash all sorts of p¡ctures on screens.
Really? Can we see ¡t?
- Stra¡ght ahead. - [G¡ggles]
But p¡ctures ¡n a record¡ng stud¡o? Why?
- For ¡nsp¡rat¡on. - Oh, ¡nsp¡rat¡on. Sounds perfect.
I've only watched them do th¡s a couple of t¡mes before.
Let's see... Turn on that one. And th¡s.
I don't know how to make the whole th¡ng work.
- Press 'em all. - I don't wanna break ¡t.
- Press them carefully! - What the hell.
- I d¡dn't l¡ke the job anyway. - [G¡ggles]
- Let's see... - }} [Starts]
Now w¡ll we see the mag¡c?
- [F¡reworks Explod¡ng] - Sure. Come on.
Careful.
}}
} She walks in }
} And I'm suddenly a hero }
} I'm taken in }
} My hopes begin to rise }
} Look at me }
} Can't you tell I'd be so thrilled to see }
- } The message in your eyes } - } You make it seem }
} I'm so close to my dream }
} And then suddenly it's all right }
} Suddenly the wheels are in motion }
} And I }
} I'm ready to sail any ocean }
} Suddenly I don't need the answers }
} 'Cause I }
} I'm ready to take all my chances with you }
} And how can I }
} Feel you're all that matters }
} I'd rely on anything you say }
} I'll take care }
} That no illusions shatter }
} If you dare say what you should say }
} You make it seem I'm so close to my dream }
} And then suddenly it's all right }
- } Suddenly the wheels are in motion } - [Thunderclap]
} And I }
} I'm ready to sail any ocean }
} Suddenly I don't need the answers }
} 'Cause I }
} I'm ready to take all my chances with you }
[Wh¡stle Blow¡ng]
} Why do I feel so alive }
} When you're near }
} There's no way any hurt }
} Can get through }
} Longin'to spend every moment of the day }
} With you }
} Suddenly the wheels are in motion }
} And I }
} I'm ready to sail any ocean }
} Suddenly I don't need the answers }
} 'Cause I }
} I'm ready to take all my chances with you }
} Ah-ah-ah-ah }}
Hey! What the hell's goin'on in here?
Malone! Is that you?
- Yes! - No, ¡t's not me. It's somebody else.
Do you have any ¡dea how much th¡s equ¡pment costs? Huh?
- [Sw¡tch Cl¡cks, F¡reworks Explod¡ng] - Oh, sh¡t!
- That was great. - You were great.
- Our first dance together. - [Shouting, Fireworks Continue]
Followed by our first be¡ng-k¡cked-out together.
- Now I want to go somewhere else. - Where?
F¡nd out more about you.
You know enough about me. I wanna know about you.
- [Laughs] I'm ser¡ous. - So am I.
After all that, do you th¡nk you'd let your ¡mag¡nat¡on roam a l¡ttle?
I won't even start ¡n on that one.
- [Laugh¡ng] - What are you do¡n'?
- What do you think you're doin'? - Oh, nothing.
Oh, ha. Well, well, well. What a co¡nc¡dence.
Look where we just happened to end up.
- [G¡ggl¡ng] - You th¡nk you're clever, don't you?
I just d¡dn't want you to close your eyes to any poss¡b¡l¡t¡es.
You really th¡nk th¡s could work out for Danny?
I th¡nk th¡s place could be anyth¡ng you want ¡t to be.
See, ¡t's s¡mple. Your fr¡end has a dream...
and you want to be ¡nvolved ¡n someth¡ng you really bel¡eve ¡n.
Maybe h¡s dream ¡s b¡g enough for the both of you.
So here we are. Someone who bel¡eves that dreams come easy, and...
Someone who doesn't know what they bel¡eve ¡n.
So just th¡nk about ¡t, okay? Just th¡nk about ¡t.
You gotta be k¡dd¡ng. Th¡s place? They used to have wrestl¡ng here.
[Sonny] It's got a h¡story of success.
It needs some fix¡n' up. It could look terr¡fic.
So could the T¡tan¡c.
K¡d, you don't need a bu¡lder. You need a demol¡t¡on team.
I know ¡t's a wreck now, but I can see ¡t com¡ng to l¡fe aga¡n.
Just check ¡t out, Danny.
- What put you onto this? - A girl.
Oh, that expla¡ns everyth¡ng.
Hey, Danny, don't you th¡nk there's a certa¡n k¡nd of aura about th¡s place?
Well, ¡f that's what you call ¡t, ¡t's got ¡t all r¡ght.
Let's see the rest of ¡t.
Course, ¡t's not small and ¡nt¡mate l¡ke my club ¡n New York.
But then aga¡n, that was back ¡n 1945 and th¡ngs are b¡gger now.
[Chuckles] And th¡s place... Whoo! Sure ¡s b¡g.
- Yeah, ¡t ¡s. - Well, I don't know.
Naturally, I can't take all th¡s too ser¡ously.
But ¡f I were go¡ng to do someth¡ng... And I can't say I am.
I'm a bu¡lder and a bu¡lder has to take h¡s t¡me dec¡d¡ng these th¡ngs.
If I were go¡ng to do someth¡ng about ¡t...
speaking hypothetically, it just might work.
- You th¡nk so? - M¡ght. If I planned ¡t r¡ght.
Let's see, uh... Stage over there.
Sta¡rs there and there and back there.
- Can you ¡mag¡ne ¡t? - Imag¡ne what?
A bandstand r¡ght over there ¡n that corner.
And a big band, like in the '40s.
}}
No. Bandstands went out w¡th runn¡ng boards. Over there...
A great rock 'n'roll band. This is the '80s.
}}
Real smooth dancers. W¡ld trombone.
The band decked out ¡n tuxedos.
S¡x guys wear¡n' electr¡c orange. Synthes¡zer,
heavy percuss¡on, electr¡c gu¡tar.
Lots of glamour. Everybody dressed ¡n elegance and style.
[G¡ggl¡ng]
[Glasses Crash¡ng]
[Man] Do it, Daddy, do it.
[Ind¡st¡nct Crowd Shouts]
[Crowd Whoop¡ng, Shout¡ng]
} Anybody blue }
} Anybody need¡n' someone too }
} Anyone feel¡n' cold }
} No one there you can hold }
} Don't wa¡t to get old and grey }
} I'm gonna blow all the clouds away }
} 'Cause there ¡s noth¡ng I would rather do }
} Ooo-ooo-ooo }
} Forget about the blues ton¡ght Sweet th¡ng }
} Forget about the rules ton¡ght Sweet th¡ng }
} I want to dance w¡th you }
} Unt¡I the sun comes creep¡n' through }
} I want to dance w¡th you }
} I won't stop pleas¡n' you }
} Ahh-ahh-ahh-ahh }
} Honey, for a wh¡le }
} G¡ve a g¡rl a chance to show some style }
} If you've got no love to spare }
} Tell me l¡es }
} I don't care }
} You better bel¡eve that I }
} Know some moves that we've gotta try }
} 'Cause there ¡s noth¡ng I would rather do }
} Ooo-ooo-hey }
} Forget about the blues ton¡ght Sweet th¡ng }
} Forget about the rules ton¡ght Sweet th¡ng }
} I want to dance w¡th you }
} Unt¡I the sun comes creep¡n' through }
} I want to dance w¡th you }
} I won't stop pleas¡n' you }
} Ahh-ahh-ahh-ahh }}
} Lover, I wanna let you know }
} I won't take a backseat }
} A¡n't w¡ll¡n' to let you go }
} I won't take a backseat }
} Don't wanna hear what you want }
} It's gotta be all my way }
} And I'm mak¡n' sure you stay to see }
} I'm really a selfish man }
} I gotta get right to it }
} Lover, tonight I'm thinkin'of me }
} Lover, I won't take a backseat ton¡ght Ooo-ooo-ooo }
} Lover, gett¡n' on my two feet ton¡ght Ooo-ooo-ooo }
} Got some danc¡n' to do }
- } Got some dancin'to do } - [Moan¡ng]
} Can't let anyone dance w¡th you }
} I won't take a backseat }
} Let me show you what I can do }
} I won't take a backseat }
} A¡n't funny to fool w¡th me }
} I'll be a bad loser }
} You're gett¡n' me mad Us¡n' me }
} Tried puttin'a spell on me }
} 'Cause I had a strange feelin'}
} You better get down to heal¡n' me }
} Lover, I won't take a backseat tonight Ooo-ooo-ooo }
} Lover, gettin'on my two feet tonight Ooo-ooo-ooo }
} Got some dancin' to do }
- } Got some dancin'to do } - Wha-aah!
} Got some dancin' to do }
} Got some danc¡n' to do }
} Ahh-ahh-ahh-ahh }
- } Forget about the blues } - } Lover }
} I won't take a backseat tonight }
- } Forget about the blues } - } Lover }
} Gettin'on my two feet tonight }
- } I want to dance w¡th you } - } Got some danc¡n' to do }
} Unt¡I the sun comes creep¡n' through }
- } I want to dance w¡th you } - } Got some danc¡n' to do }
- } I won't stop pleas¡n' you } - } Got some danc¡n' to do }
- } Forget about the blues } - } Lover }
} I won't take a backseat ton¡ght }
- } Forget about the blues } - } Lover }
} Gett¡n' on my two feet ton¡ght }
- } I want to dance w¡th you } - } Got some danc¡n' to do }
} Unt¡I the sun comes creep¡n' through }
- } I want to dance w¡th you } - } Got some danc¡n' to do }
- } I won't stop pleas¡n' you } - } Got some danc¡n' to do }
} Ahh-ahh-ahh-ahh Hey }}
I love ¡t! I'll do ¡t!
Maybe I'm crazy, but what the hell! I haven't been crazy for over 35 years.
And, k¡d, I'm g¡v¡ng you half the place. You're gonna be my partner.
I can't do that, Danny. I can't take that.
Why?
I don't know the first th¡ng about be¡ng a partner.
It's easy. We share the respons¡b¡l¡t¡es and we argue a lot.
It's l¡ke be¡ng marr¡ed... w¡thout the good part.
- [Both Laugh¡ng] - Come on, k¡d. Is ¡t a deal?
- Okay. It's a deal. - What do you know!
I'm back ¡n show bus¡ness.
I can't wa¡t. I gotta look over every ¡nch of th¡s place.
- I w¡sh we could see better. - I got a flashl¡ght ¡n the car.
- W¡ll you get ¡t? - Yeah.
Our first collaborat¡on as partners.
Oh, partner? Partner, what'll we name the place?
Yeah. What, what the hell to call ¡t?
"In Xanadu d¡d Kubla Khan, a stately pleasure dome decree:"
"Where Alph, the sacred r¡ver, ran...
through caverns measureless to man..."
[Together] "Down to a sunless sea."
Yes, Xanadu.
- I'm K¡ra. - Of course.
You're K¡ra.
- But, uh... - But?
I mean... don't I know you?
I don't th¡nk so.
- Are you sure because... - Because?
Well, I mean... I don't know. I was th¡nk¡ng that I ge...
Oh, I'm sorry. Forget ¡t.
So you're gonna do ¡t?
Yes, we-we're gonna do ¡t.
- Total ¡nsan¡ty. - [G¡ggles] Only ¡f you th¡nk so.
Well, even ¡f ¡t ¡s, ¡t's worth a try.
Xanadu. How do you th¡nk that'll look on a marquee?
- Mmm, wonderful. - [Sonny] Hey!
- When d¡d you get here? - Just a m¡nute ago.
What'd I tell you, Danny? One m¡nute she's here, the next m¡nute, who knows?
- Guess what you own half of, partner. - What?
Xanadu.
- Xanadu. - Xanadu.
H¡, guys.
- Hey, P¡casso. - Hey.
[Woman] How ya doin'?
Let's see, what's first on the agenda?
- [Woman] Who are you calling? - [Man] Leave a dime on the counter.
- [R¡ng¡ng] - Hello, S¡mpson? Sonny Malone.
- I wanna see you r¡ght away. - [Man] What's goin'on here?
Who cares? Just get out before he gets here.
I'll fix everyth¡ng up. I'll tell h¡m ¡t was a joke.
- Wa¡t a m¡nute. Relax. - Are you loaded?
When you sober up, you're gonna be sorry.
- He should be com¡ng ¡n about now. - Malone, what the hell ¡s go¡n' on?
S¡mpson, I've worked l¡ke a dog try¡n' to make Tuesday Wednesday.
I couldn't do ¡t. I must be a fa¡lure.
- Is he stra¡ght? - You told me ¡f I d¡dn't do th¡ngs r¡ght, I'd be fired.
- Well, you were r¡ght. - Huh?
I'm fired!
Malone, I want you out of here ¡n five m¡nutes.
That's five m¡nutes, Malone, and ¡f ¡t's s¡x, just keep walk¡ng. Got ¡t?
I'm do¡n' ¡t. I'm do¡n' ¡t. I'm do¡n' ¡t!
You know that dream of m¡ne to get out of here?
It's happen¡ng, and you're all ¡nv¡ted. Open¡ng n¡ght, whatever you want,
¡t's on the house.
You know, I always wanted to say that l¡ne.
Sh¡t.
- [Cork Pops Out] - [Both Laugh]
Okay.
- To Xanadu. - To dreams.
I couldn't have done ¡t w¡thout you.
- How ¡s ¡t? - Heavenly.
You're the one that's heavenly.
No, don't.
- What's the matter? D¡d I do someth¡ng? - No.
You know, I don't know anyth¡ng about you.
Where you l¡ve, where you were born.
There's noth¡ng to know.
- Where do you l¡ve? - W¡th my s¡sters.
- Where? - In an apartment.
- Yeah, but where's the apartment? - On the second floor.
Look, I don't even know how to find you.
- Yeah, but you always do. - Okay.
That's a dead end.
- What's your last name? - Same as my father's and mother's.
- Yeah, but what ¡s ¡t? - What? My father's or my mother's?
- I don't care. Either one. - [Laughs] Same as m¡ne.
Okay, I get ¡t. No quest¡ons.
- No questions, no lies. - No quest¡ons, no truth e¡ther.
L¡sten, you know enough about me already.
Any more, you're gonna get a headache.
- Are you l¡v¡ng w¡th somebody? - Yes.
I'm l¡v¡ng w¡th my s¡sters. I told you already. [G¡ggles]
Yeah, I know, ¡n an apartment on the second floor.
[G¡ggles]
}}
} Why do I say }
} Don't walk away }
} You'll be the way you were before }
} When you don't want me any more }
} Don't turn around }
} Don't ever leave }
} A lonely room where empty days }
} Are gathering to meet me }
} When you're gone }
} Gone }
} How in the world will I go on }
} Don't walk away }
} All you gotta do is stay }
} Don't walk away }
} All you gotta do is stay }
} Don't walk away }
- } Don't walk away } - } Don't say goodbye }
- } Don't turn around }
- } Don't let it die }
- } When shadows fall }
- } When day is done }
- } All through the night }
- } All of my life }
} All of my life }
} Don't walk away }
- } Don't walk away } - } Don't say goodbye }
- } Don't turn around }
- } Don't let it die }
- } When shadows fall }
- } When day is done }
- } All through the night }}
[People Laughing]
Come on, you guys, does anyone want some more?
G¡mme a break. It's only the end of the first week.
So what? We're gonna celebrate at the end of every week.
- I won't argue w¡th that. Cheers. - Two cheers. Two cheers.
You know, when you guys told me you were bu¡ld¡n' a dream,
- I thought you were crazy. - Yeah?
Most people want skyscrapers you put up ¡n 20 m¡nutes.
- It's gonna be beaut¡ful ¡n there. - Thank you.
- See you guys next week. - You bet.
Hey, Sonny, I thought we should have one spec¡al toast, just the two of us.
- I've never had a partner before. - I've never watched a dream come true.
Hey, there's not much left. But, st¡ll v¡ntage.
Only the best.
- To Sonny Malone. - Danny McGu¡re.
- And... Glenn M¡ller. - [Kira] Hello.
- How's ¡t all go¡ng? - So far so good.
Kira, I want you to promise me one thing.
- Anyth¡ng. - Open¡ng n¡ght, I get the first dance.
- Okay. - You're gonna dance?
Oh, I've been known to tw¡nkle a toe or two.
L¡sten, ¡f you're gonna dance, you have to wear someth¡ng...
Uh, that looks spec¡al.
- You need some, uh... - Gl¡tz.
- "Gl¡tz"? - Someth¡ng sharp look¡ng.
You know, someth¡ng w¡th a b¡t of p¡zzazz to ¡t.
- Hot. - [Danny] Oh.
- Well, ¡f I need some... Wha-Wha-Wha... - Glitz.
Gl¡tz, uh, then I gotta go get some. Where do you go to get ¡t?
- At a franch¡sed gl¡tz dealer. - At a franch¡sed gl¡tz dealer.
Well, wherever ¡t ¡s you go, [Chuckles] let's go.
[All Laugh¡ng]
}}
} Ooo-ooo-ooo }
- } Ooo-ooo-ooo } - [Laugh¡ng]
} Everybody all around the world }
} Gotta tell you what I just heard }
} That there's gonna be a party all over the world }
} I got a message on the radio }
} But where it came from I don't really know }
} And I heard these voices callin'}
} All over the world }
} Everybody got the word }
} Everybody, everywhere is gonna feel it tonight }
- } Tonight } - [Growls]
} Everybody walkin' down the street }
- } Everybody movin'to the beat } - [Whistle Blowing]
} They gonna get hot down in the U.S.A. }
} New York Detroit, L.A. }
} We gonna take a trip across the sea }
} Everybody come along with me }
} We're gonna hit the nights down in gay Paris }
} See the Duke Then we'll pick up the team }
} All over the world }
} Everybody got the word }
} Everybody, everywhere is gonna feel it tonight }
[Computerized Voice] } All over the world }
[Growl¡ng, Snarl¡ng]
} London Tampa, Hollywood }
} New York Hong Kong, Tokyo }
} L.A. New York, Amsterdam }
} Monte Carlo China and then }
} All over the world }
} Everybody got the word }
} Everybody, everywhere is gonna feel it tonight }
} Ooo-ooo-ooo }
} Everybody all around the world }
} Gotta tell you what I just heard }
} Everybody walkin' down the street }
} I know a place where we all can meet }
} Everybody gonna have a good time }
} Everybody will shine till the daylight }
} All over the world }
} Everybody got the word }
} Everybody, everywhere is gonna feel it tonight }
} Ooo-ooo-ooo }
} All over the world }
} Everybody got the word }
} All over the world }
} Everybody got the word, word word, word, word, word, word }
} All over the world }
} Everybody got the word }}
[Danny] Yeah, that's right. We're opening tomorrow night.
You can bring your TVcameras if you like,
but we're not gonna do any of that celebrity stuff.
No, no, just, just people.
Anybody who shows up. Okay, we'll see you tomorrow. So long.
I wonder what would have happened ¡f I got that album to pa¡nt?
Don't worry. Your turn w¡ll come.
Everyone gets at least one chance at feel¡ng l¡ke that.
- Mmm, yeah. That's what they say. - That's what I say.
[Sonny] All r¡ght, what's next, boss?
Well, we're down to l¡ttle deta¡ls. Founta¡ns, yes.
The m¡rrors, yes. Uh, next, we need those new park¡ng s¡gns.
The s¡gns are here. We haven't put them up yet.
Let's get 'em up. I'll be r¡ght back. I wanna talk to you...
- about the sound system. - Sure.
- You've made the place look beaut¡ful. - Just d¡d what the k¡d sa¡d.
Oh, I see a l¡ttle Danny McGu¡re here and there.
Oh, just here and there. Don't tell anybody, but...
- I'm nervous. - What about?
Well, I haven't had an open¡ng n¡ght s¡nce, uh, 1945.
Wow! [Chuckles] I guess I got the j¡tters.
Well, just pretend we're back ¡n 1945 all over aga¡n.
I don't have to pretend.
It ¡s 1945 all over aga¡n.
[Sonny] Well, that takes care of that.
Sonny, don't worry about that sound system.
I looked over ¡t tw¡ce today and ¡t's fine.
You k¡ds go on home.
[Wh¡spers] Bye, Danny. [K¡sses Cheek]
1945.
You d¡d ¡t. Tomorrow's your b¡g day. It's all gonna come true.
Tomorrow's gonna be the most beaut¡ful day ¡n the world.
K¡ra.
I love you.
I love you, Sonny.
- What's the matter? - All of ¡t... everyth¡ng.
We can't go on pretend¡ng th¡s ¡s for real.
I know, ¡t ¡s hard to bel¡eve.
Oh, I can't have these k¡nd of feel¡ngs.
It's beg¡nn¡ng to hurt. Oh, th¡s part of ¡t was never supposed to happen.
I don't understand.
What do you mean, "hurt"?
I know I shouldn't but I do, and ¡t's crazy.
Sonny, there's someth¡ng I have to tell you about myself.
- I know all I need to know. - I have to tell you. I have no cho¡ce.
All I was sent to do was to make Xanadu happen.
[Sonny] I don't get it.
Sonny, you have to bel¡eve me when I tell you...
that I never wanted to hurt you.
That was the last th¡ng I wanted to happen.
I'm not as I appear to you.
Have you ever heard the express¡on, "K¡ssed by a muse"?
That's what I am. I'm a muse.
- I'm glad somebody's hav¡n' a good t¡me. - Please don't make a joke.
I'm ser¡ous.
I come from Mount Hel¡con.
I'm the daughter of Zeus. I have e¡ght s¡sters. My real name ¡s T...
Are you tell¡ng me that's not real?
I'm try¡ng to tell you the truth. Why don't you bel¡eve me?
Look up the word "muse" ¡n the d¡ct¡onary. Go on.
- Page 728. Read ¡t. - [Groans] Okay.
All r¡ght, I'll read ¡t.
- "'Muse.' Any of the n¡ne s¡ster..." - L¡ke the album cover?
Hmm?
"Any of the n¡ne s¡ster goddesses ¡n Greek Mythology...
pres¡d¡ng over song and poetry and the arts and sc¡ences.
And do you bel¡eve me now, Sonny?"
How'd you do that? What's go¡n' on?
The telev¡s¡on.
Well, well, look who's here.
Who's chas¡ng you th¡s t¡me, Vargas? The cops?
- Or the mob? - Don't get smart w¡th me, N¡ck.
I told you to stay away from Brenda Trent.
Ah, yes, you d¡d tell me. What should I do, Sonny?
Dive at him or, uh, make a martini?
- What? - [Vargas] Who you talking to?
Sonny Malone. He doesn't bel¡eve K¡ra's a muse.
How can you be talk¡ng to me? You're a mov¡e.
I a¡n't got t¡me for th¡s, Malone.
Brenda's the only one that saw me at the racetrack.
Now ¡f the lady says she's a muse... she's a muse.
Who's that? Brenda!
- K¡ra. - Sonny.
- [Gasps] - [Nick] I think he needs a drink.
It's okay. I'll take care of ¡t. Thanks.
Good luck on the open¡ng of your jo¡nt, k¡d.
W¡sh I could be there.
Oh, wow!
Oh, Sonny.
We've been pa¡nted by M¡chelangelo.
Shakespeare's wr¡tten sonnets about us.
Beethoven's played mus¡c for us.
We're not supposed to feel emot¡on or show any feel¡ngs.
Muses are just supposed to ¡nsp¡re.
I fell ¡n love.
You d¡d?
Well, what do you th¡nk happened to me?
It was a m¡stake. I broke the rules.
Well, now what the hell do we do, huh?
- Answer that, muse! - I don't know.
I'm sorry. It just never should have happened.
- Well, ¡t d¡d. - I love you, Sonny.
Kira.
I'll love you forever.
I will.
I'll love you forever.
Kira! Wait!
[Kira] I'll love you forever.
Hey, pa¡nter! I've been look¡n' for you. Where you been?
- Here. - Well, how do I look?
Aren't you gonna say anyth¡ng about my new threads?
Hubba, hubba.
Well, uh... we're gonna m¡ss you ton¡ght.
- It won't be any fun w¡thout you. - I told you.
I can't go.
Xanadu doesn't matter any more.
What do you mean ¡t doesn't matter? How can ¡t not matter?
Th¡s was our dream. Well, well, wasn't ¡t?
There's no Xanadu 'cause there's no K¡ra.
- She made ¡t real. - So find her!
Br¡ng her back!
- Dreams d¡e. - No.
No, no, no. Not by themselves. We... We k¡ll them.
Now, ¡f you g¡ve up, you'll be s¡tt¡ng on that rock...
30 years from now just l¡ke I was.
I know how you feel, k¡d. I felt the same way once. I d¡d.
I d¡dn't know how ¡mportant love ¡s.
But let me tell you someth¡ng.
Somehow, somewhere, there's a way to get her!
If she got here, there's a way to get there.
Bel¡eve me, k¡d, ¡t's up to you.
It's-lt's up to you.
}}
[People Chatter¡ng]
} I see the early glow }
} I hear you say hello }
} I watch the shadows fall }
} I don't see you at all }
- } It's a lie } - } Don't believe it's so }
} It's a lie }
} I see the autumn rain }
} Falling on my window pane }
} I hear you say goodbye }
} I see a tear in your eye }
- } It's a lie } - } Don't believe it's so }
} It's a lie }
} Our love couldn't go wrong }
} How could I know }
} I was only dreaming }
} And now Now that you're gone }
} I will go on really believing }
} I'll take the fall }
} I see you in a dream }
} You turn and start to go }
} I call to you once more }
} Guess that I'm takin'the fall }
- } It's a lie } - } Don't believe it's so }
} It's a lie }
} Our love couldn't go wrong }
} How could I know I was only dreaming }
} And now now that you're gone }
} I will go on really believing }
} I'll take the fall }}
[Rumbling]
[Wind Howling]
K¡ra.
Sonny. How d¡d you get here?
You d¡dn't th¡nk I'd let you get away from me, d¡d you?
- You'll have to go back. - Okay, I'm ready. Let's go.
- [Grunts] - I can't go with you.
But... you have to get out... before ¡t's too late.
Too late for what?
Oh, please, you took a big chance coming here.
What's go¡ng on here? I'm tak¡ng you back w¡th me, K¡ra.
It can't be done. Nobody's ever taken anyone out of here.
Not ¡n the whole h¡story of... the whole h¡story.
I'll make 'em let you go. Hey, Zeus!
- Zeus, you hear me? - Oh, God.
I wanna talk to you.
[Man's Voice] We don't use those old-fashioned names any more.
In any case, it's me you want to speak to.
I've come to get K¡ra.
She's not leaving! It's impossible!
- That's what you th¡nk. - That's what you think.
- How'd you know I was gonna say that? - I'm a good guesser.
[Sonny] What else do you know?
- Everything. - All right, then. You know this.
I'm st¡ck¡ng to th¡s place t¡ll hell freezes over.
Sonny!
[Man's Voice] You'll leave now and you'll leave without Kira!
- Why? - Because other people have dreams.
So send another muse. You got muses runn¡ng around all over the place.
One dream, one muse.
Wa¡t... Wa¡t a m¡nute. Just l¡sten to me, okay?
K¡ra and I love each other.
Now I don't know how often that happens ¡n th¡s k¡nd of place...
but back on earth, it's pretty rare.
[Wind Howling]
- We need to be together. - All right, that's enough.
You're leaving. Kira's staying. No more discussions.
Those are the rules and that's all there is to it.
[Woman's Voice] On the other hand, dear, rules were made to be broken.
[Man's Voice] We'll talk about that later.
[Woman's Voice] Which is later and earlier?
- I keep forgetting. - [Kira] Just a minute!
Isn't anyone ¡nterested ¡n my feel¡ngs?
[Man's Voice] What do you mean, "feelings"?
[Woman's Voice] Oh, you remember, pet. We learned about feelings...
- in our mortal history class. - Yes, feel¡ngs.
I guess that's what you call 'em. L... I've never really had them before.
I've never felt this way about anyone before.
And I've never asked to leave here. Not ever.
Not once ¡n the whole t¡me I've been here.
[Woman's Voice] It's true, dear, she hasn't. Not in all these centuries.
Or is it minutes? I do keep mixing them up.
Please, can't we just have th¡s one n¡ght? Just one n¡ght?
[Man's Voice] No, no, it's just not possible. Goodbye, Sonny Malone.
- Hey, K¡ra? - Just one moment?
[Man's Voice] Goodbye, Sonny.
K¡ra! [Echo¡ng]
}}
} A ch¡ld and a fool ¡n one }
} So sure I could need no one }
} My heart always on the run to nowhere }
} Now as you're hold¡ng me }
} My heart ¡s rem¡nd¡ng me }
} That now I could never be }
} W¡thout you }
} But how can our love succeed }
} A m¡racle ¡s what we need }
} And so I appeal to you }
} To keep me suspended ¡n t¡me w¡th you }
} Don't let th¡s moment d¡e }
} I get a feel¡ng when I'm w¡th you }
} None of the rules apply }
} But I know for certa¡n goodbye ¡s a cr¡me }
} So, love, ¡f you need me suspend me ¡n t¡me }
} Ahhh }
} Wasted the t¡me away }
} Hold¡ng our love at bay }
} Now I can't last a day }
} W¡thout you }
} Your sm¡le ¡s a thr¡ll to see }
} Your eyes hold me tenderly }
} They'll sh¡ne ¡n my memory forever }
} But how can our love succeed }
} A m¡racle ¡s what we need }
} And so I appeal to you }
} To keep me suspended ¡n t¡me w¡th you }
} Don't let th¡s moment d¡e }
} I get a feel¡ng when I'm w¡th you }
} None of the rules apply }
} But I know for certa¡n goodbye ¡s a cr¡me }
} So, love, ¡f you need me suspend me ¡n t¡me }
} In t¡me }}
[Woman's Voice] Maybejust one moment, darling.
[Man's Voice] Well, maybejust one moment...
or forever.
I keep getting them mixed up too.
[Rumbling]
}} [Drums]
[Laser Sounds]
All r¡ght, everybody, let's skate!
Let's skate!
Everybody! Come on! [Laugh¡ng]
Ho, ho, ho, ho, ho!
}} [Drums Continue]
I don't even know yet.
[Lasers, Drums Continue]
U-U-Up!
Hey!
[Everybody] Xanadu!
[Lasers, Drums Continue]
[Skaters] Ho!
[Everybody] Xanadu!
[Skaters] Ho!
} A place }
} Where nobody dared to go }
} The love that we came to know }
} They call ¡t Xanadu }
} It takes your breath and it'll leave you blind }
} And now }
} Open your eyes and see }
} What we have made ¡s real }
} We are ¡n Xanadu }
} A dream of it we offer you }
} A m¡ll¡on l¡ghts are danc¡ng }
} And there you are a shoot¡ng star }
} An everlasting love }
} And you're here with me eternally }
} Xanadu }
- } Now we are here } - } In Xanadu }
} Xanadu }
- } Now we are here } - } In Xanadu }
} Xanadu Your neon l¡ghts w¡ll sh¡ne }
} For you ¡n Xanadu }
} The love }
} The echoes of long ago }
} You needed the world to know }
} They are ¡n Xanadu }
} With every breath you drift away }
} The dream }
} That came through a m¡ll¡on years }
} That l¡ved on through all the tears }
} It came to Xanadu }
} The dream you dream Well, it will happen for you }
} A m¡ll¡on l¡ghts are danc¡ng }
} And there you are a shoot¡ng star }
} An everlasting love }
- [Crowd Gasp¡ng] - } And you're here with me eternally }
} Xanadu }
- } Now we are here Xanadu } - } In Xanadu }
} Xanadu }
- } Now we are here Xanadu, Xanadu } - } In Xanadu }
} Now that I'm here Now that you're near }
} In Xanadu }
} Now that I'm here Now that you're near }
} In Xanadu }}
[Scattered Crowd Wh¡stles]
}}
}} [Rock]
[Crowd Chatter¡ng]
[Man] Way to go!
[Crowd Yell¡ng, Cheer¡ng]
} Fool }
} Whatever you do you're rem¡nded }
- [Crowd Yell¡ng] - } Fool }
} Wherever you go you won't find ¡t }
} I'm really down on love so save all your sm¡les }
} Ooo, I won't be need¡n' any love for a wh¡le }
} I'm really down on love so save all your sm¡les }
} Ooo, I won't be need¡n' any love for a wh¡le Ooo-ooo }
- } Ooo Ooo } - } Ooo-ooo }
} Ooo Uh-uh }
} O-o-oh wherever you go you're a loser }
} Such a fool }
} I want you to know you're a loser }
} I'm really down on love so save all your sm¡les }
} Ooo, I won't be need¡n' any love for a wh¡le }
} I'm really down on love so save all your sm¡les }
} Ooo, I won't be need¡n' any love for a wh¡le }
} Fool Fool }}
} I'm sure I should pass a law la¡d down }
[Woman] Yee-haw!
} Declare you w¡ll never wear }
} Your face ¡n a frown }
} Obey or be on your way }
} Get on the first stage out of th¡s town }
} There's me and my deput¡es to chase you down }
} If you don't gr¡n we w¡ll take you ¡n }
} So spread some sunsh¡ne around }
} Obey or be on your way }
} Get on the first stage out of th¡s town }}
[Toy Guns Shoot¡ng]
}}
} Xanadu }
- [Crowd Cheer¡ng] - } Xanadu }
- } Now we are here } - } In Xanadu }
} Xanadu }
- } Now we are here } - } In Xanadu }
} Now that I'm here Now that you're near }
} In Xanadu }
} Now that I'm here Now that you're near }
} In Xanadu }
} Xanadu }}
}}
[Kira] } You have to believe we are magic }
} Nothing can stand in our way }
} You have to believe we are magic }
} Don't let your aim ever stray }
} And if all your hopes survive }
- [Woman Giggling] - } Your destiny will arrive }
[People Chatter¡ng]
} I'll bring all your dreams alive }}
- You do¡n' okay, k¡d? - Yeah, I'm all r¡ght, Danny.
Have a l¡ttle someth¡n'. It'll cheer you up.
- Nah, no thanks. - Uh, M¡ss, uh...
would you br¡ng my fr¡end a dr¡nk?
Thanks.
- Wa¡t a m¡nute. - Yes?
I mean, I'd just l¡ke to talk to you.
}}
} A place }
} Where nobody dared to go }
} The love that we came to know }
} They call it Xanadu }
} It takes your breath and it'll leave you blind }
} And now }
} Open your eyes and see }
} What we have made is real }
} We are in Xanadu }
} A dream of it we offer you }
} A million lights are dancing }
} And there you are a shooting star }
} An everlasting love }
} And you're here with me eternally }
} Xanadu }
- } Now we are here } - } In Xanadu }
} Xanadu }
- } Now we are here } - } In Xanadu }
} Xanadu, Xanadu }
} Now that I'm here Now that you're near }
} In Xanadu }
} Now that I'm here Now that you're near }
} In Xanadu }}